Another menswear season has been completed (though this time it has been rebranded). London Fashion Week Men’s – formerly London Collections: Men as always has delivered a brilliant array of designers and a multitude of styles for the eyes to feast upon. Though before I begin, I think it has to be said that the name change which has aimed to link itself with London Fashion Week has actually managed to make the whole event feel different. We couldn’t quite figure out why as LFWM (formerly LCM) has changed season to season trying to find new hubs and show spaces after the Old Sorting Office was renovated. With LFW also making 180 Strand its new headquarters for fashion week, it seems that the commercialisation has become quite noticeable over the past few seasons and sadly, menswear is starting to feel like regular London Fashion Week and being different and stand-alone was on of the most loved qualities of LCM. Rant over, though the name and vibe is one thing, let me focus upon some of the treats of Autumn Winter 2017.
There were a few shows that tickled my fancy this year for a number of different reasons. I’ll start with Liam Hodges‘ Dystopian Lives collection and his beautiful use of glitch motifs with urban streetwear. Shades of jungle green and neon yellow blitzed down the runway like the symbols in the Matrix loading screen. There was an overwhelming blast of textures and pattern reminiscent of old computer software and VHS quality visuals creating a military camouflage feel. Photo prints featured on the garments were taken by Liam during his recent trip to China. – Side note, he lectured at the same University (DeTao Masters Academy) that I worked at a couple of years ago. This collection tickled all of my glitch-based taste buds and I thoroughly approved!
Oliver Spencer never fails to deliver an excellent collection. There were a lot of pieces this season that I would love to own and normally I find his collections to be a little tame to my tastes but this season I feel as though he had gone in a more playful direction but still maintaining the distinguished Oliver Spencer aesthetic. The ushanka style hats were a must-have accessory for winter. But the piece that stood out to me the most was the olive green velvet bomber jacket and baggy pants to match. I think I may have to start browsing the shops for my sizes now as he may well have found himself a new customer.
One designer this year was celebrating his birthday this season and had a runway show to celebrate. Bobby Abley brought his usual flair of childhood memories to life with sweaters emblazoned with Power Rangers designs, helmets and dinosaurs. We also got a nod to his previous Rio inspired collection with green, yellow and blue shorts and sweaters and of course a his token teddy bear logo made numerous features including a white leather chest harness, because nothing fuses together better than bondage and childhood comforts. The music was blasting out and the colours were a-plenty. It truly felt like we were all part of Bobby’s big birthday bash… The only thing lacking was the candles, cakes and alcohol.
And of course, the menswear collections wouldn’t be what they are without an array of presentations and parties. There were plenty of highlights in this field including Fashion East‘s Art School collection which I thoroughly enjoyed.
The presentation featured a rabble of budding young thespians all in the rehearsal stages and theatre workshops that will be incredibly memorable to all who ever took part in a drama class in high school. There was a charming ‘New Romantic meets Club Kid’ feel to the collection and nostalgia kicked in when performers all started doing a two-step jive to “Give A Little Love” from Bugsy Malone.
Wan Hung delivered all of the Asian aesthetic that I could possibly ask for. Beautifully minimalist and boxy shapes with glorious oriental fabrics and textures. Also, its hard not to enjoy looking at men in 70’s style platform boots. It was a modern take on vintage stylings and with the glorious colours and shapes of the clothing bursting forward, it truly made me want to have this collection sitting in my wardrobe as we speak. Bravo Wan Hung and thank you for the Asian sweets we were given on the way out.
There was one presentation surprisingly had me stunned. Kent & Curwen was the epitome of a showcase. David Beckham’s collaboration with the brand was something I wasn’t expecting but it made for a pleasant treat. This was his second collection with the heritage sporting outfitter (designed by Daniel Kearns). Located at the Oxo Tower Wharf, we scurried into a large warehouse through big (and heavily guarded) barn doors. We then travelled through a maze of derelict rooms, the only lighting was that of a series of projections of videos and clips from the look books. Once we finally located ourselves into the main room, we were greeted by a cocktail bar filled with mulled whiskey and traditional pub snacks like pork scratchings and fried chicken skins. Christ on a bike! The chicken skins were beyond amazing. But i’m not blogging about food today so back to business… Giant glass boxes filled with flowers proved to be a beautiful way to display the garments. Vintage look bombers, shearling jackets, sheepskin coats, rugby sweaters and boating blazers filled the room with a cheeky Peaky Blinders nod in the cap department. “What more could you ask for?” I hear you ask. My inner fan-boy then burst out as we were greeted by David, Victoria and Brooklyn Beckham. Vicky B?! Posh Spice. Without going into too much of a fan-girl mode, it was excellent, the whole presentation was stunning and to be rubbing shoulders with the Beckham’s is one of those once-in-a-lifetime opportunities that you don’t often get to have.
I was pleasantly surprised to find that my friend spotted a video on YouTube where an A-Level photography class had used my “GLITCH” editorial as an artist of reference for a unit of work based on distortion.
George Robinson-White, teacher of Art & Photography at TAHS introduced the students to my work and me as a contemporary artist, looking at my unique take on photographic portraiture.
The students analysed my work and were asked to create their own interpretation of my glitch portraits as well as using me as a contemporary artist reference for their A-Level essays.
I’m flattered to know that my work is being shown to a new generation of potential photographers and artists. I didn’t expect my glitch series to be something students would study as part of an A-Level project or even to be referring to me as an artist.