Another photo I recently stumbled across on the Colours Photo & Film blog. I must say, I was pretty happy with the attention from this cape, sure, it got mixed reviews online, but people at the menswear shows liked it and I enjoyed wearing it and that’s all that matters. I just need more excuses to wear it.
Hopefully when the weather picks up (or we at least have a dry day with no rain or snow), I’ll be able to get some proper use out of it. Now all we need to do is push the fashion in Leeds a bit more.
CAPE: VIVIENNE WESTWOOD
BLAZER: VIVIENNE WESTWOOD
PENIS CHAIN: VIVIENNE WESTWOOD
TARTAN FLARES: VINTAGE
TIE: VIVIENNE WESTWOOD
SHIRT: CALVIN KLEIN
GLASSES: OLLIE QUINN
CUBAN HEELS: ASOS
I’ve not been able to find many images from LFWM of my attire, next season I’ll make sure I take some myself so I can reference them better for the blog.
Day 2 was unbelievably cold, my feet were frozen and I could barely type on my phone as my fingers were going numb. Despite that however, I think I managed to style it out with some ‘northern charm’ and act like all was good.
My suitcase was filled to the brim (that bloody cape took up half the space) so I didn’t think to pack a coat (or even a jumper to wear under the suit). But hey, the show must go on.
You know me by now, if I’m going to be wearing a suit, you know that suit is going to be somewhat ‘standout’ whether that be the accessories or the pattern/colours, I can’t do plain… It’s a curse really.
This year I had also rather excitingly bought myself a backpack. I know how nerdy that sounds, but I haven’t had one for quite some time so it felt like a thrill. The last one I bought was a squiggle print Vivienne Westwood backpack from the Africa collection and, although I loved it very much, it was falling to bits.
My main requirement was to find a bag that I could wear with a suit and it still look smart and sleek. That’s when I decided to by myself a rather boxy backpack from Dr. Martens and I must say, I absolutely adore it! Good job Harold.
All in all, I’m quite happy with this look, I know I wouldn’t be able to wear it everywhere but the suit itself can be worn as separates as it’s striking enough on their own. I might wear the trousers to work tomorrow, I’ve inspired myself just writing this.
Shirt: Vivienne Westwood
Tie: Vivienne Westwood
Backpack: Dr. Martens
Pocket Square: YHIM
Glasses: Ray Ban
Now, here’s a brand you may not have heard of unless you live ‘daaayynn sarrrfff’. But fear not! I’m here to give you the rundown on a cool new emerging brand that’s not going to break the bank. We call it Oiboy.
The brainchild of two founders, George Langham and Dylan Hartigan, the South London duo use their hometown heritage as their main inspirations for the brand. Walking down the streets, you’re hounded by the same few shops and businesses abusing your eyeballs. Betting shops, skin care brands, off licences and markets all trying to sell you cheap shit that you don’t want or need.
As I say time and time again, fashion should be fun. And when it comes to good humour with clothing, Oiboy are serving it to you with full force.
We’ve all been minding our own business while walking down the street at some point in our lives when we’ve witnessed in a slogan tee that has actually made you laugh. I once saw a very militant lesbian walking down the road with a top that said “it’s a bitch being butch” and it genuinely made me laugh out loud to the point where I thought I might get assaulted.
Regardless, whatever the slogan was, it made you laugh and that’s exactly what Oiboy are doing. They’re making you laugh by spoofing some incredibly well known brands, from beers to betting shops, nothing is sacred once the pair get their hands on it!
All it takes is a couple of rearranged letters, a slight tweak on a well known logo and you’ve got yourself a rather punderful brand. Not all British folk have a stiff upper lip, others are too busy with their tongue-in-cheek humour.
Adding to their take on ‘fast fashion’, Oiboy’s brilliantly named collection Stolen Goods is exactly what you’d expect. Their promotional short film features one of the youths of today coming out of a shop with quick haste – implying that he’s been shoplifting as he runs down the high street stripping off his clobber and throwing aside his garms.
If you haven’t had a gander at the collection properly, you may have missed one of their best features. The hats and some of the tops come with fake security tags, etched with the Oiboy logo. Not only is their collection a blatant piss take out of designers ripping ideas from other designers/companies, they’re now even mocking the fact that their designs are ‘stolen’.
The Oiboy mantra is that “talent borrows, genius steals” and nothing could be more true when you see their collection. Their stand at LFWM’s stand in the BFC’s Designer Showrooms was permanently busy with people fluttering by to cop a glare at what they were producing. These guys are definitely going to be one to watch.
I strongly recommend that you have a gander at their collection. It won’t break the bank… Just promise not to steal it!
This season was a strange one because it felt like I hadn’t stepped foot in London for years (despite heading to London fairly regularly). I don’t quite know what it was, it just felt… different. But alas, I was excited to be back and I was ready to see some shows.
Day 1 of LFWM and, as always, it’s fun to make an entrance. And so that’s exactly what I did. With some vintage flares, gold penises on my jacket and a huge fucking cape, I was on my merry way.
Now, I don’t know what particularly inspired me with the outfit, but I’ve been feeling a lot of love for of flares recently. Yes, you heard that right. Flares, the 60’s/70s trousers that look like something you’d see The Bee Gees in. I don’t know where my sudden fixation came from, but I just suddenly started buying them. I now own at least 5 pairs in different spans, fabrics and colours. They all look lovely with my cuban heels. Yes, I also love cuban heels. Maybe I was born in the wrong decade?
The cape, as you would probably expect, divided opinion. Though the attendees of LFWM appeared to be enjoying this oversized accessory, some folks on social media didn’t. A photograph of me heading to a show at 180 Strand appeared on the New York Times fashion segment’s Instagram account (@nytimesfashion) where they appeared to be enjoying my look. However, some of the commenters felt I bared some resemblance to Harry Potter or a Jedi. I’ve left some of the comments attached so you can get a feel for the vibe.
I’ve got pretty thick skin, obviously, or I wouldn’t be brave enough to wear half the shit that I do. These comments were relatively tame and did give me a good giggle. And that’s the point, fashion should be fun! It should be debated, discussed, humoured and enjoyed.
Cape: Vivienne Westwood
Blazer: Vivienne Westwood
Penis Chain: Vivienne Westwood
Tartan Flares: Vintage
Tie: Vivienne Westwood
Shirt: Calvin Klein
Glasses: Ollie Quinn
Cuban Heels: Asos
As usual, this post is a little delayed, but hey! Another season of London Fashion Week Men’s is over. And although the grandiose thrill of LFWM – formerly London Collections: Men – is slowly dying out, the sheer joy of seeing phenomenal clothes/accessories from incredible designers is still there.
Now, maybe I just sound like a bit of an old crank harping on about ‘the good old days’ but honestly, there’s a change to the menswear season in London and though I do welcome change, it’s not one that I’m particularly enjoying. Now, this season, the days were shortened from 4 to 3. So, I thought because the past few seasons have been dwindling a little with the business of the days after designers have pulled out, this for me meant that by removing a day, a jam-packed schedule would be back on the horizon… Sadly not, it felt as sparse as it did before but hey, it meant that my feet weren’t as sore from running around London.
This season I thought it was about time that I brought a camera with me. I mean, why not, it’s not like I have a degree in photography or anything 😬. A few seasons ago, I decided to take a quirky approach to shooting street style with a FujiFilm Instax camera. Like last time, I thought I’d go with the good old polaroid format rather than a DSLR and so that’s exactly what I did.
You may remember from my previous post that I bought myself a rather peculiar polaroid. I bought the Polaroid Taz Cam, a rare 1999 edition in collaboration with Looney Tunes. And with such a strange looking camera on my arm, I would be a bit of a dullard if I didn’t buy myself some swanky film to go with it. Of course, I bought myself the ‘Coloured Frames Edition‘ film And just look at how beautiful it is!
Anyway, I feel like I’ve rambled on long enough, I promise to try and be a bit more punctual with the other posts. I will have some more coming soon. I’m currently in the process of buying a house so I’ve been a bit preoccupied with blogging (but this year I aim to get into it more, so please bare with me).
But enough about the humdrum backstory of my personal life, on with the shows!
Granted, it’s not the most eloquent interview I have ever given but in my defence, it was far more humid than my outfit suggests and I had just arrived to LFWM 2 minutes before I was hunted down for this interview.
Watch the interviews to see Robin James hunt down some of his fun finds at London Fashion Week Men’s. Robin is a men’s style, grooming and lifestyle blogger and YouTuber. He’s definitely worth a watch so have a gander at his channel and get inspired by his videos. https://www.youtube.com/ManForHimself
Day 2 was a hectic one! My word it was warm outside. When I checked the weather reports before packing my bags for London it predicted rain and coolish temperatures… After packing a small case and arriving in London the temperatures soared immensely and I became quite the overheated beast.
I have to say a big thank you to Laird Hatters for lending me this beauty of a panama hat which definitely kept my head cool in the heatwave and added a sophisticated dabble of dandy to my already quite ostentatious take on a traditional suit.
I definitely feel like I bare some resemblance to The Man From Del Monte, I think it’s the panama hat and waistcoat. I tried to give this devilish dandy attire a spruce of cool with a pair of cuban heels. Genuinely, one of the best purchases I ever made! If you want to get a pair of these ASOS Cuban Heels I would recommend. (I’ve provided a link). In fact, I would go as far as saying that they are probably the best high-street priced shoes I have ever bought. Genuinely £55 and they are phenomenal! I am debating buying a second pair in advance for when these ones eventually start to fade out.
Waistcoat: Jean Paul Gaultier – Vintage
Cuban Heels: Asos
Hat: Laird Hatters
Glasses: Bailey Nelson
LFWM was a very brief one for me this season. Sadly I only had chance to do the first 2 days which was a bit of a bummer but still nice to head down and see some shows. This season marked the 5 years of London Fashion Week Men’s (formerly London Collections: Men) so it was a bit of a let down that I could only do the first two days… Financial troubles, we’ve all been there, but it was a rather fun season and so I thought it was about time I uploaded some of the things I saw and what I wore during the festivities.
I finally got a chance to wear my Agi & Sam faux cross-stitch blazer which I absolute love but haven’t had an opportunity to wear yet. There was no real inspiration to my attire today. My vibe was a bit of an 80’s acid-trip Teddy Boy heading to prom.
Jacket: Agi & Sam
Shirt: Vivienne Westwood
Tie: Vivienne Westwood
Velvet Trousers: Topman
Shoes: Vivienne Westwood
Sunglasses: Joshua Kane
There has been quite a delay on my blog. I’ve recently started a new job which is consuming most of my time so I haven’t been very pro-active with my blogging. However, it’s a great job that I am absolutely loving and it will give me chance to earn some more money for new treats and trinkets.
Hopefully wanting to get back into a few fashion projects as well as i’ve not really had much opportunity to shoot anything and i’m starting to feel a bit art redundant. Anyway, ramble over.
Thank you to my good gal pal Amy Alice Platt for taking this snap of me during the fashion week escapades. It’s always nice to catch up with her as I don’t often get the opportunity.
I was Amy’s student mentor at university and my word me and this girl had some good banter.
Lots of love to this one!
Yesterday I had the pleasure to attend a series of talks from some of my favourite working professionals in the fashion industry.
The event was arranged @FashionInLeeds and @LeedsIntFest and has had small catwalks, talks and presentations from a wide variety of fashion and technology based talent which started on the 22nd of April and runs through to the 30th.
The three speakers I had the privilege of listening to were; Lulu Kennedy MBE who is the founder of Fashion East and MAN, bold print designer and collaboration queen Katie Eary and “Remade In England” sustainability designer Christopher Raeburn.
The first of the three speakers I attended was Christopher Raeburn who is best known for recycling military materials such as life rafts, maps and parachutes. He talked us through some of his fashion films and his inspirations behind his collections and materials. The ‘Meridian‘ video from his Spring/Summer 2015 collection was a visual masterpiece using CGI to recreate his garments and showing an artistic story of the materials used in a somewhat Matrix style of dressing.
(Side story… The last time I met Christopher Raeburn, we were locked out of an Agi & Sam after party (with Agi) and had to tell the doorwoman that the person who was left outside with us was actually the person hosting the party.)
Katie Eary spoke heavily about her career building around collaborations and the importance of building an identity and the opportunities others can give you to build a brand. Katie has collaborated with some incredibly diverse brands including; Kanye West, KFC and IKEA. She spoke a lot about her groundbreaking collaboration with IKEA as the first fashion designer to work with this homeware giant and about the long process of designing home furnishings, plates and bedding.
I have been such a fan of Katie Eary’s work. She was one of the first designers I had the pleasure of seeing during my first ever season of London Collections: Men (now known as London Fashion Week Men’s – christ I still hate this re-branding) and I still remember her bright pink flamingo collection to this day.
Lulu Kennedy MBE is a woman I have wanted to meet for quite a long time but never had the chance to. Fashion East and MAN are two incredibly influential and important companies to grace the British fashion scene. I’ve been lucky enough to attend many of the Fashion East and MAN collections and these showcases have been a great source of inspiration to me as I have inspired a lot of my work around some of these designers who have been spotlighted through these companies. Charles Jeffrey, Katie Eary, Bobby Abley and Gareth Pugh are all designers who I have used as inspiration for various photo shoots and visual projects.
With these talks being relatively small in numbers (and the fact they were hosted inside a shipping container in the middle of Briggate high street) meant that as a group we had the opportunity to talk to each of the guests and have quite an intimate Q&A. Though this was a huge bonus for me, it was a shame to see such influential speakers be in the presence of such a small crowd. Events and talks like these in Leeds are definitely infrequent but are highly valued. Leeds College of Art is an incredibly established art school and with many other designers and artists coming from the Northern territories of England I believe it should have more of a direct address in these areas as a lot of focus (naturally) is on London and London art school graduated designers. I always enjoy listening to designers, artists and industry professionals talking about their careers and experiences and I definitely feel that these events would not go amiss in Leeds.Please, please, PLEASE can we get more incredible speakers like these heading to Leeds in the near future, not just for my sake but for the hundreds of fashion students and industry workers Leeds has to offer!
For those of you who know me, you will have heard me joke at some point that GQ never feature me because my looks are too ‘wacky’ or I don’t fit the ‘gentleman’ demographic. Then, the first season of London Collections: Men where I had cut off my locks, I ended up being featured in GQ… Just the back of me sadly. Well fret not! It would appear that international editions of Gentlemen’s Quarterly have a different aesthetic and this season I was featured numerous times in both GQ Spain and GQ Australia. GQ Spain successfully managed to make me look like a busy member of society (or a cellphone addict depending on your outlook on life) as both feature me in mobile action. Starting with quite a bold orange check suit from Asos on Day 1 to a more stripped back striped double-breast bespoke suit that I got made when I was working in China on Day 3. Both carrying my ol’faithful black leather envelope bag from Reiss. My day 1 tie was a bold renaissance style print tie from Vivienne Westwood and on Day 3 I wore a 70’s tie that was given to me from my late Granddad. I think my looks span from Porn Shop to Wall Street all with a 70’s flavour.
In the photo featured on the GQ Australia‘s Instagram account, you can see that I adapted my attire into more of a ‘Peaky Blinder’ feel by pairing it with a brown worn-leather flat cap from Laird Hatters.
GQ Australia – Photographer: Sarah Jane Barnes
GQ Spain – Photographer: Pablo García