Nostalgia is a powerful thing. It takes you back to happiness of yesteryear and makes you think of the “good ol’ days” when life was simple and you didn’t have to worry about mortgages, debt and what Donald Trump is going to say next.
In fact, nostalgia is quintessentially ‘on trend’ at the moment. With brands such as Ellesse and Tommy Hilfiger making prominent comebacks in the fields of fashion, the remastered Crash Bandicoot trilogy storming its way onto the PlayStation 4 some 20 years after its original release and vinyl records reviving people’s love for music without feeling like you have to be a keen-eyed collector. 35mm cameras are proving to be popular with young folks again more so than the expensive digitals counterparts.
And 35mm isn’t the only format of camera that’s making a resurgence. Instant film cameras are kicking back to a time-gone-by. I’ve had a FujiFilm Instax camera for a while now and I absolutely love it. You may remember that I’ve done a series of street-style photography on Instax film while at London Fashion Week Men’s. But I’ve always wanted to shoot on actual square-format Polaroid film. But while Instax works out at around £1 a shot, Polaroid has always hit into the £2+ per shot.
But I have finally taken the plunge! After seeing the new OneStep 2 i-Type Polaroid advertised online, it brought back my childhood lust for the iconic camera of my youth. So I went online and purchased a camera… But not actually the new one that I had intended on buying. In fact, I actually bought a vintage camera from their website that hit me with a double serving of total nostalgic proportions… I bought the ‘Taz Cam‘.
Granted, it’s not a discreet and tasteful Polaroid camera, but why the hell would I want that?! By now I think you’re all aware of my love of all things a little bit quirky and this camera is the epitome of quirky!
This reclaimed vintage camera is nothing short of magical for pure Looney Tunes nostalgia. This camera was made as a limited run in 1999 to honour the iconic cartoon character. Though you can still pick them up on various websites such as eBay and Amazon, the Polaroid website has a very limited few that are available for purchase, most probably a higher price tag than buying from other second hand sellers but Polaroid gives all its stock tests and refurbishments to make sure every nook and cranny is working to perfection.
Inspired by the world’s most infamous Tasmanian Devil, the Polaroid 600 Taz Edition (affectionately known as the “Taz Cam”) is easily the most weird and wonderful camera Polaroid ever released. Produced for a short period in 1999, it turns the Polaroid 600 into Taz’s head, complete with teeth and tongue on the inside. If you’re the type of person that likes to stand out, it doesn’t get much better than this.
The exterior is sheer childhood heaven. When the camera opens you see the tongue and teeth printed around the lens. The shutter stands out with a bright yellow plastic button (that matches the yellow camera strap) and a beautiful big red rubber button at the end featuring concentric circles (much like the “That’s All Folks” circles from the Looney Tunes credit design.
If you’re wanting to reinvigorate your love for vintage photography and instant film cameras, a Polaroid will always give you that orgasmic sense of sheer joy. Pair that feeling with the Taz Cam and you’re ready to take on the world, one merry little step at a time!
Now, if you’re wanting another fun little treat to go with your new cartoon camera, I would definitely recommend getting the Colour 600 Film ‘Colour Frames Edition‘ to give an extra burst of vibrancy to your images.
You can also buy black & white film with the coloured frames from the Polaroid Originals website.
Now go forth and spread the joy and have fun snapping some old school images on the quirkiest/craziest/silliest camera in town!
Every year H&M teams up with a global fashion house to design a high street marketed collaboration. This year is no exception. We’ve seen some incredible designers and fashion houses collaborate over the years. Including; Versace, Maison Margiela, Balmain, Kenzo and Anna Dello Russo to name but a few. And now we’re only 1 week away!
This year, H&M paired with contemporary fashion house ERDEM and people are already going crazy for it! Erdem Moralioglu is the 17th fashion designer to collaborate with H&M. And the high street brand’s creative advisor, calls him “a poetic addition” to an already stellar lineup of fashion giants.
The collection is nostalgic yet modern, structured yet rebellious, feminine and powerful. It’s gloriously floral and I’m totally invested. What makes this collaboration so exciting is that it’s such a step in the other direction from the previous few designers; Kenzo, Balmain and Alexander Wang.
This collaboration saw designer, Erdem Moralioglu design his first ever menswear line. Staying true to his brand, Moralioglu’s garments are a beautiful fusion between both genders.
“Once I’d finished fitting a Harris Tweed suit, I’d take it off the boy and put it on the girl and it just looked amazing. So then came the Harris Tweed suit for women — it’s one of my favourites.”
Erdem’s aim was to create a collection that can be mixed and matched with each piece, giving the wearer their own sense of individuality and ownership of their wardrobe.
“It’s a collection of pieces that have a permanence about them, which is almost the antithesis of this idea of what fast fashion is.”
One of the most beautifully fascinating parts of the collaboration has to be the campaign film “The Secret Life of Flowers” which was directed by Baz Luhrmann who famously created the visual beauty of Moulin Rouge and Romeo & Juliet which starred Leonardo Di Caprio.
I honestly have to say, I think this is one of the most stunning contemporary fashion films I have seen for such a long time. The colours are sensational, the story is whimsical and the regalia stands alone in the busy visuals.
I couldn’t help but find myself falling into a romantic dreamscape while watching the campaign film. And that’s the best way to describe the collection, romantic! Frilled shirts, gushy gowns and floral patterns rife in every design.
If you’re wanting to check out what’s on offer, have a gander at the price list below and all that is available in the menswear range of the highly anticipated Erdem x H&M collaboration.
I’m definitely getting myself the silk shirt and trouser co-ords as well as a few other bits and bobs… If only my budget could stretch a little further. What are your favourite items? Get thinking and put some pennies aside, you only have 1 more week to wait for the collaboration to go live!
Granted, it’s not the most eloquent interview I have ever given but in my defence, it was far more humid than my outfit suggests and I had just arrived to LFWM 2 minutes before I was hunted down for this interview.
Watch the interviews to see Robin James hunt down some of his fun finds at London Fashion Week Men’s. Robin is a men’s style, grooming and lifestyle blogger and YouTuber. He’s definitely worth a watch so have a gander at his channel and get inspired by his videos. https://www.youtube.com/ManForHimself
Day 2 was a hectic one! My word it was warm outside. When I checked the weather reports before packing my bags for London it predicted rain and coolish temperatures… After packing a small case and arriving in London the temperatures soared immensely and I became quite the overheated beast.
I have to say a big thank you to Laird Hatters for lending me this beauty of a panama hat which definitely kept my head cool in the heatwave and added a sophisticated dabble of dandy to my already quite ostentatious take on a traditional suit.
I definitely feel like I bare some resemblance to The Man From Del Monte, I think it’s the panama hat and waistcoat. I tried to give this devilish dandy attire a spruce of cool with a pair of cuban heels. Genuinely, one of the best purchases I ever made! If you want to get a pair of these ASOS Cuban Heels I would recommend. (I’ve provided a link). In fact, I would go as far as saying that they are probably the best high-street priced shoes I have ever bought. Genuinely £55 and they are phenomenal! I am debating buying a second pair in advance for when these ones eventually start to fade out.
Waistcoat: Jean Paul Gaultier – Vintage
Cuban Heels: Asos
Hat: Laird Hatters
Glasses: Bailey Nelson
LFWM was a very brief one for me this season. Sadly I only had chance to do the first 2 days which was a bit of a bummer but still nice to head down and see some shows. This season marked the 5 years of London Fashion Week Men’s (formerly London Collections: Men) so it was a bit of a let down that I could only do the first two days… Financial troubles, we’ve all been there, but it was a rather fun season and so I thought it was about time I uploaded some of the things I saw and what I wore during the festivities.
I finally got a chance to wear my Agi & Sam faux cross-stitch blazer which I absolute love but haven’t had an opportunity to wear yet. There was no real inspiration to my attire today. My vibe was a bit of an 80’s acid-trip Teddy Boy heading to prom.
Jacket: Agi & Sam
Shirt: Vivienne Westwood
Tie: Vivienne Westwood
Velvet Trousers: Topman
Shoes: Vivienne Westwood
Sunglasses: Joshua Kane
There has been quite a delay on my blog. I’ve recently started a new job which is consuming most of my time so I haven’t been very pro-active with my blogging. However, it’s a great job that I am absolutely loving and it will give me chance to earn some more money for new treats and trinkets.
Hopefully wanting to get back into a few fashion projects as well as i’ve not really had much opportunity to shoot anything and i’m starting to feel a bit art redundant. Anyway, ramble over.
Thank you to my good gal pal Amy Alice Platt for taking this snap of me during the fashion week escapades. It’s always nice to catch up with her as I don’t often get the opportunity.
I was Amy’s student mentor at university and my word me and this girl had some good banter.
Lots of love to this one!
For those of you who know me, you will have heard me joke at some point that GQ never feature me because my looks are too ‘wacky’ or I don’t fit the ‘gentleman’ demographic. Then, the first season of London Collections: Men where I had cut off my locks, I ended up being featured in GQ… Just the back of me sadly. Well fret not! It would appear that international editions of Gentlemen’s Quarterly have a different aesthetic and this season I was featured numerous times in both GQ Spain and GQ Australia. GQ Spain successfully managed to make me look like a busy member of society (or a cellphone addict depending on your outlook on life) as both feature me in mobile action. Starting with quite a bold orange check suit from Asos on Day 1 to a more stripped back striped double-breast bespoke suit that I got made when I was working in China on Day 3. Both carrying my ol’faithful black leather envelope bag from Reiss. My day 1 tie was a bold renaissance style print tie from Vivienne Westwood and on Day 3 I wore a 70’s tie that was given to me from my late Granddad. I think my looks span from Porn Shop to Wall Street all with a 70’s flavour.
In the photo featured on the GQ Australia‘s Instagram account, you can see that I adapted my attire into more of a ‘Peaky Blinder’ feel by pairing it with a brown worn-leather flat cap from Laird Hatters.
GQ Australia – Photographer: Sarah Jane Barnes
GQ Spain – Photographer: Pablo García
A poor drunken attempt at a fashion hop. Well, someone had to I suppose. Sadly, I look more like a startled Zebra.
Shirt: Pretty Green
Hat: Laird Hatters
Scarf: Thomas Farthing
This was a rather fun post to have found whilst having an online browse for some new clobber. Turns out i’m somewhat of a “Trendy Wendy” this season and I must say I have been quite shocked on the impact this simple little orange checkered suit has had on the fashion press. Maybe it’s the bold colours in a rather depressing January filled with Tube Strikes and the ever-looming threat of Donal Trump… Who knows? Either way, its fun to be on the sunny side of life.
If you want to have a browse of Topman’s suggested trends to shop, have a click on the link here to get some grand ideas for your wardrobe: http://www.topman.com/en/tmuk/category/london-street-style-the-capitals-6-biggest-trends-6243896/home
‘Street style at London Fashion Week Men’s fall 2017’ – WWD
Another menswear season has been completed (though this time it has been rebranded). London Fashion Week Men’s – formerly London Collections: Men as always has delivered a brilliant array of designers and a multitude of styles for the eyes to feast upon. Though before I begin, I think it has to be said that the name change which has aimed to link itself with London Fashion Week has actually managed to make the whole event feel different. We couldn’t quite figure out why as LFWM (formerly LCM) has changed season to season trying to find new hubs and show spaces after the Old Sorting Office was renovated. With LFW also making 180 Strand its new headquarters for fashion week, it seems that the commercialisation has become quite noticeable over the past few seasons and sadly, menswear is starting to feel like regular London Fashion Week and being different and stand-alone was on of the most loved qualities of LCM. Rant over, though the name and vibe is one thing, let me focus upon some of the treats of Autumn Winter 2017.
There were a few shows that tickled my fancy this year for a number of different reasons. I’ll start with Liam Hodges‘ Dystopian Lives collection and his beautiful use of glitch motifs with urban streetwear. Shades of jungle green and neon yellow blitzed down the runway like the symbols in the Matrix loading screen. There was an overwhelming blast of textures and pattern reminiscent of old computer software and VHS quality visuals creating a military camouflage feel. Photo prints featured on the garments were taken by Liam during his recent trip to China. – Side note, he lectured at the same University (DeTao Masters Academy) that I worked at a couple of years ago. This collection tickled all of my glitch-based taste buds and I thoroughly approved!
Oliver Spencer never fails to deliver an excellent collection. There were a lot of pieces this season that I would love to own and normally I find his collections to be a little tame to my tastes but this season I feel as though he had gone in a more playful direction but still maintaining the distinguished Oliver Spencer aesthetic. The ushanka style hats were a must-have accessory for winter. But the piece that stood out to me the most was the olive green velvet bomber jacket and baggy pants to match. I think I may have to start browsing the shops for my sizes now as he may well have found himself a new customer.
One designer this year was celebrating his birthday this season and had a runway show to celebrate. Bobby Abley brought his usual flair of childhood memories to life with sweaters emblazoned with Power Rangers designs, helmets and dinosaurs. We also got a nod to his previous Rio inspired collection with green, yellow and blue shorts and sweaters and of course a his token teddy bear logo made numerous features including a white leather chest harness, because nothing fuses together better than bondage and childhood comforts. The music was blasting out and the colours were a-plenty. It truly felt like we were all part of Bobby’s big birthday bash… The only thing lacking was the candles, cakes and alcohol.
And of course, the menswear collections wouldn’t be what they are without an array of presentations and parties. There were plenty of highlights in this field including Fashion East‘s Art School collection which I thoroughly enjoyed.
The presentation featured a rabble of budding young thespians all in the rehearsal stages and theatre workshops that will be incredibly memorable to all who ever took part in a drama class in high school. There was a charming ‘New Romantic meets Club Kid’ feel to the collection and nostalgia kicked in when performers all started doing a two-step jive to “Give A Little Love” from Bugsy Malone.
Wan Hung delivered all of the Asian aesthetic that I could possibly ask for. Beautifully minimalist and boxy shapes with glorious oriental fabrics and textures. Also, its hard not to enjoy looking at men in 70’s style platform boots. It was a modern take on vintage stylings and with the glorious colours and shapes of the clothing bursting forward, it truly made me want to have this collection sitting in my wardrobe as we speak. Bravo Wan Hung and thank you for the Asian sweets we were given on the way out.
There was one presentation surprisingly had me stunned. Kent & Curwen was the epitome of a showcase. David Beckham’s collaboration with the brand was something I wasn’t expecting but it made for a pleasant treat. This was his second collection with the heritage sporting outfitter (designed by Daniel Kearns). Located at the Oxo Tower Wharf, we scurried into a large warehouse through big (and heavily guarded) barn doors. We then travelled through a maze of derelict rooms, the only lighting was that of a series of projections of videos and clips from the look books. Once we finally located ourselves into the main room, we were greeted by a cocktail bar filled with mulled whiskey and traditional pub snacks like pork scratchings and fried chicken skins. Christ on a bike! The chicken skins were beyond amazing. But i’m not blogging about food today so back to business… Giant glass boxes filled with flowers proved to be a beautiful way to display the garments. Vintage look bombers, shearling jackets, sheepskin coats, rugby sweaters and boating blazers filled the room with a cheeky Peaky Blinders nod in the cap department. “What more could you ask for?” I hear you ask. My inner fan-boy then burst out as we were greeted by David, Victoria and Brooklyn Beckham. Vicky B?! Posh Spice. Without going into too much of a fan-girl mode, it was excellent, the whole presentation was stunning and to be rubbing shoulders with the Beckham’s is one of those once-in-a-lifetime opportunities that you don’t often get to have.