Every year H&M teams up with a global fashion house to design a high street marketed collaboration. This year is no exception. We’ve seen some incredible designers and fashion houses collaborate over the years. Including; Versace, Maison Margiela, Balmain, Kenzo and Anna Dello Russo to name but a few. And now we’re only 1 week away!
This year, H&M paired with contemporary fashion house ERDEM and people are already going crazy for it! Erdem Moralioglu is the 17th fashion designer to collaborate with H&M. And the high street brand’s creative advisor, calls him “a poetic addition” to an already stellar lineup of fashion giants.
The collection is nostalgic yet modern, structured yet rebellious, feminine and powerful. It’s gloriously floral and I’m totally invested. What makes this collaboration so exciting is that it’s such a step in the other direction from the previous few designers; Kenzo, Balmain and Alexander Wang.
This collaboration saw designer, Erdem Moralioglu design his first ever menswear line. Staying true to his brand, Moralioglu’s garments are a beautiful fusion between both genders.
“Once I’d finished fitting a Harris Tweed suit, I’d take it off the boy and put it on the girl and it just looked amazing. So then came the Harris Tweed suit for women — it’s one of my favourites.”
Erdem’s aim was to create a collection that can be mixed and matched with each piece, giving the wearer their own sense of individuality and ownership of their wardrobe.
“It’s a collection of pieces that have a permanence about them, which is almost the antithesis of this idea of what fast fashion is.”
One of the most beautifully fascinating parts of the collaboration has to be the campaign film “The Secret Life of Flowers” which was directed by Baz Luhrmann who famously created the visual beauty of Moulin Rouge and Romeo & Juliet which starred Leonardo Di Caprio.
I honestly have to say, I think this is one of the most stunning contemporary fashion films I have seen for such a long time. The colours are sensational, the story is whimsical and the regalia stands alone in the busy visuals.
I couldn’t help but find myself falling into a romantic dreamscape while watching the campaign film. And that’s the best way to describe the collection, romantic! Frilled shirts, gushy gowns and floral patterns rife in every design.
If you’re wanting to check out what’s on offer, have a gander at the price list below and all that is available in the menswear range of the highly anticipated Erdem x H&M collaboration.
I’m definitely getting myself the silk shirt and trouser co-ords as well as a few other bits and bobs… If only my budget could stretch a little further. What are your favourite items? Get thinking and put some pennies aside, you only have 1 more week to wait for the collaboration to go live!
For those of you who know me, you will have heard me joke at some point that GQ never feature me because my looks are too ‘wacky’ or I don’t fit the ‘gentleman’ demographic. Then, the first season of London Collections: Men where I had cut off my locks, I ended up being featured in GQ… Just the back of me sadly. Well fret not! It would appear that international editions of Gentlemen’s Quarterly have a different aesthetic and this season I was featured numerous times in both GQ Spain and GQ Australia. GQ Spain successfully managed to make me look like a busy member of society (or a cellphone addict depending on your outlook on life) as both feature me in mobile action. Starting with quite a bold orange check suit from Asos on Day 1 to a more stripped back striped double-breast bespoke suit that I got made when I was working in China on Day 3. Both carrying my ol’faithful black leather envelope bag from Reiss. My day 1 tie was a bold renaissance style print tie from Vivienne Westwood and on Day 3 I wore a 70’s tie that was given to me from my late Granddad. I think my looks span from Porn Shop to Wall Street all with a 70’s flavour.
In the photo featured on the GQ Australia‘s Instagram account, you can see that I adapted my attire into more of a ‘Peaky Blinder’ feel by pairing it with a brown worn-leather flat cap from Laird Hatters.
GQ Australia – Photographer: Sarah Jane Barnes
GQ Spain – Photographer: Pablo García
A poor drunken attempt at a fashion hop. Well, someone had to I suppose. Sadly, I look more like a startled Zebra.
Shirt: Pretty Green
Hat: Laird Hatters
Scarf: Thomas Farthing
This was a rather fun post to have found whilst having an online browse for some new clobber. Turns out i’m somewhat of a “Trendy Wendy” this season and I must say I have been quite shocked on the impact this simple little orange checkered suit has had on the fashion press. Maybe it’s the bold colours in a rather depressing January filled with Tube Strikes and the ever-looming threat of Donal Trump… Who knows? Either way, its fun to be on the sunny side of life.
If you want to have a browse of Topman’s suggested trends to shop, have a click on the link here to get some grand ideas for your wardrobe: http://www.topman.com/en/tmuk/category/london-street-style-the-capitals-6-biggest-trends-6243896/home
Another menswear season has been completed (though this time it has been rebranded). London Fashion Week Men’s – formerly London Collections: Men as always has delivered a brilliant array of designers and a multitude of styles for the eyes to feast upon. Though before I begin, I think it has to be said that the name change which has aimed to link itself with London Fashion Week has actually managed to make the whole event feel different. We couldn’t quite figure out why as LFWM (formerly LCM) has changed season to season trying to find new hubs and show spaces after the Old Sorting Office was renovated. With LFW also making 180 Strand its new headquarters for fashion week, it seems that the commercialisation has become quite noticeable over the past few seasons and sadly, menswear is starting to feel like regular London Fashion Week and being different and stand-alone was on of the most loved qualities of LCM. Rant over, though the name and vibe is one thing, let me focus upon some of the treats of Autumn Winter 2017.
There were a few shows that tickled my fancy this year for a number of different reasons. I’ll start with Liam Hodges‘ Dystopian Lives collection and his beautiful use of glitch motifs with urban streetwear. Shades of jungle green and neon yellow blitzed down the runway like the symbols in the Matrix loading screen. There was an overwhelming blast of textures and pattern reminiscent of old computer software and VHS quality visuals creating a military camouflage feel. Photo prints featured on the garments were taken by Liam during his recent trip to China. – Side note, he lectured at the same University (DeTao Masters Academy) that I worked at a couple of years ago. This collection tickled all of my glitch-based taste buds and I thoroughly approved!
Oliver Spencer never fails to deliver an excellent collection. There were a lot of pieces this season that I would love to own and normally I find his collections to be a little tame to my tastes but this season I feel as though he had gone in a more playful direction but still maintaining the distinguished Oliver Spencer aesthetic. The ushanka style hats were a must-have accessory for winter. But the piece that stood out to me the most was the olive green velvet bomber jacket and baggy pants to match. I think I may have to start browsing the shops for my sizes now as he may well have found himself a new customer.
One designer this year was celebrating his birthday this season and had a runway show to celebrate. Bobby Abley brought his usual flair of childhood memories to life with sweaters emblazoned with Power Rangers designs, helmets and dinosaurs. We also got a nod to his previous Rio inspired collection with green, yellow and blue shorts and sweaters and of course a his token teddy bear logo made numerous features including a white leather chest harness, because nothing fuses together better than bondage and childhood comforts. The music was blasting out and the colours were a-plenty. It truly felt like we were all part of Bobby’s big birthday bash… The only thing lacking was the candles, cakes and alcohol.
And of course, the menswear collections wouldn’t be what they are without an array of presentations and parties. There were plenty of highlights in this field including Fashion East‘s Art School collection which I thoroughly enjoyed.
The presentation featured a rabble of budding young thespians all in the rehearsal stages and theatre workshops that will be incredibly memorable to all who ever took part in a drama class in high school. There was a charming ‘New Romantic meets Club Kid’ feel to the collection and nostalgia kicked in when performers all started doing a two-step jive to “Give A Little Love” from Bugsy Malone.
Wan Hung delivered all of the Asian aesthetic that I could possibly ask for. Beautifully minimalist and boxy shapes with glorious oriental fabrics and textures. Also, its hard not to enjoy looking at men in 70’s style platform boots. It was a modern take on vintage stylings and with the glorious colours and shapes of the clothing bursting forward, it truly made me want to have this collection sitting in my wardrobe as we speak. Bravo Wan Hung and thank you for the Asian sweets we were given on the way out.
There was one presentation surprisingly had me stunned. Kent & Curwen was the epitome of a showcase. David Beckham’s collaboration with the brand was something I wasn’t expecting but it made for a pleasant treat. This was his second collection with the heritage sporting outfitter (designed by Daniel Kearns). Located at the Oxo Tower Wharf, we scurried into a large warehouse through big (and heavily guarded) barn doors. We then travelled through a maze of derelict rooms, the only lighting was that of a series of projections of videos and clips from the look books. Once we finally located ourselves into the main room, we were greeted by a cocktail bar filled with mulled whiskey and traditional pub snacks like pork scratchings and fried chicken skins. Christ on a bike! The chicken skins were beyond amazing. But i’m not blogging about food today so back to business… Giant glass boxes filled with flowers proved to be a beautiful way to display the garments. Vintage look bombers, shearling jackets, sheepskin coats, rugby sweaters and boating blazers filled the room with a cheeky Peaky Blinders nod in the cap department. “What more could you ask for?” I hear you ask. My inner fan-boy then burst out as we were greeted by David, Victoria and Brooklyn Beckham. Vicky B?! Posh Spice. Without going into too much of a fan-girl mode, it was excellent, the whole presentation was stunning and to be rubbing shoulders with the Beckham’s is one of those once-in-a-lifetime opportunities that you don’t often get to have.
Photography: Bart Pajak
Navy Blue Trilby: Laird Hatters
Blazer with Waistcoat: Vivienne Westwood
Tie: Vivienne Westwood
Collar Pin & Tie Pin: Peckham Rye
Trousers: River Island
Black Leather Envelope Bag: Reiss
Shoes: Dr Marten’s
Only recently been able to find some of the street style photos from LC:M SS17. Thank you to Kristin Sinclair for this photo and for the many photos she has taken of me from previous seasons.
Gold Sunglasses: Joshua Kane
Shirt: Richard Nichol
Prince Charles T-Shirt: Vivienne Westwood
Black Scarf with Gold Tassels: Joshua Kane
Gold Arm Garters: Thomas Farthing
Black Leather Envelope Bag: Reiss
Black Trousers: Topman
Black Velvet Slippers: Versace
Also found this montage image of myself and some other faces at London Collections: Men SS17 (source unknown)
“The Godstar didn’t subscribe to convention, a maverick pioneer, a scholarly intellectual who welcomed fame and fortune when it forced itself upon him with healthy scepticism but never set out with any aspirations of success. Life as a Rolling Stone is complicated he confided in 1965, who knows how long it will last? Brian Jones was the soul of the Stone’s, it’s founding father with a mission to bring R&B across the Atlantic and into the homes of suburbia. For S/S17, Pretty Green have taken inspiration from the coolest Rolling Stone. The linage of immaculate polo’s, block print sweaters and psychedelic fringes harken to a time when the ace faces swaggered along Carnaby St. in search of illusive attire inspired by French cinema, ivy leaguers and rude boys. Today, their destination is clear. Pretty Green are more than a clothing brand, they’re the personification of an aesthetic.”
Words: Robert J Railton
Reference – ‘Godstar’ : Psychic TV (vinyl single 1985)
Top 3 Pieces
Pretty Green is not normally one of those brands I would consider myself to be a fan of, but after attending the Spring Summer 17 show, I had discovered a brand full of visuals that really tapped into my world of appeal.
Everything has been revamped, styles were throwing a huge nod back to the glorious days of Mod Britain subculture with a swinging nod to the cult of the 90’s Brit Pop era.
Silk Scarves were a plenty this season and my word were they a treat to behold. Glorious paisley patterns embellished with the Pretty Green branding in gorgeous mustard yellows and various shades of grey. Skinny fit, ever so long and tasselled ends draws the eye from neck to naval in a beautifully understated sense of style. Words cannot describe the joys of receiving a wee sample in our gift bag of the scarf which I have been wearing more days now than I can count.
I was rather surprised but also overwhelmingly impressed with the collaboration that was ‘Pretty Green x John Smedley‘. These knitwear polo shirts drew me in as soon as I saw them and I find myself still dreaming about the striped mustard and white polo with Black collar today! When it comes to knitwear you cannot go wrong with John Smedley and to see these two British iconoclasts of fashion come together was a real treat for the eyes.
My final must have has to be this contemporary take on the houndstooth print. A beautiful short sleeve shirt with open collar in shape with such neatness in the cut drew me in based on the effortlessly clean silhouette it produces which is juxtaposed from the almost grungy and blurred houndstooth print they opted for. A beautiful blend of Mod meeting Modern Man which I believe should be a staple in every mans wardrobe.
Top 3 List: Harry J Bartlett
A couple of snaps of my Day 2 attire at LC:M AW16. These images were taking at the Velsvoir presentation at the Lights Of Soho gallery. As always the guys put on a bloody brilliant event with some stunning must have accessories (and cocktails a plenty).
Sweater Vest: Vivienne Westwood
Tie: Vivienne Westwood
Hat: Thomas Farthing
Shoes: My Grandad’s Wedding Shoes
A quick snap of my attire on the second day of London Collections: Men AW16.
As usual, I had a bloody good time, saw some excellent shows and presentations, met some fantastic people and had a rather festive amount of alcohol.
My only kick in the nuts was that I didn’t get chance to see the Kit Neale show this season. I am a huge fan of their brand (as you can tell by my outfit) and it was a real shame to have missed it. But life goes on and I wore their clobber with pride.
Floppy Baker Boy Hat: Thomas Farthing
Rat Print Denim Jacket: Kit Neale
Rat Print Denim Jeans: Kit Neale
Black Leather Folder: Reiss
Running Trainers: Nike